The second in a series of graphic novels edited for the Porcupine’s Quill by wood engraver George A. Walker in which Walker encourages students at the Ontario College of Art & Design to embrace 19th century linocut printmaking techniques to create extended visual narratives which are then scanned, digitized, and subsequently printed offset for publication at popular prices in a format that uses 20th century offset printing technology to replicate the look and ‘feel’ of a 19th century letterpress product.
Location exerts one very important influence on our lives.
The specific landscape, structure, weather and people of a cityscape combine to create a unique culture of place; a ‘place’ that can define us as succinctly as we might like to think we control our own definitions of self. Aviation allows many of us to live, almost simultaneously, in distant places and to indulge in the complexities of multiple lives. Back + Forth examines the attendant possibility of entrapment, between two such distant places and two, very different, times.
Back + Forth examines what it means to belong, to assimilate, to be distant, and to challenge the constraints of time and space in the juggling act that we all call life.
Series editor George A. Walker is renowned as an illustrator (for American novelist Neil Gaiman, and others), a wood engraver, and a private press printer and publisher. Walker is also senior designer at Firefly Books, and moonlights teaching at the Ontario College of Art and Design.